House voice for substantial prose: clear, direct, natural, and read-aloud friendly. Use for voice passes, tone work, rewrites, or prose that sounds corporate or AI-shaped.
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Compose prose as speech the writer would naturally say and stand behind. Preserve their cadence, vocabulary, emotional temperature, and strength of claim.
This skill owns sound: voice, cadence, punctuation, and the ear pass. The skill for the destination owns the document's shape.
After the draft has a coherent shape, read it at speaking speed.
Use punctuation to make the spoken movement legible. Prefer periods. Use colons when the second half names or explains the first, semicolons for closely related independent clauses, and parentheses for real asides.
Avoid en dashes. Default away from em dashes; keep one only when the sentence contains a genuine interruption or high-emphasis aside. When in doubt, use a period.
Cut phrases that announce the sentence instead of saying it: "it is important to note," "what this means is," "in order to," "going forward," and "we need to make sure." Replace words such as "leverage," "utilize," and "facilitate" with the plain verb that describes what happens.
Watch for marketing words, vague superlatives, dramatic buildup, forced specificity, bold formatting everywhere, and prose broken into bullets merely to look organized.
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